Tuesday, November 4, 2014

Rage Journal #19: The Dark Knight Rises (2012) aka Batman vs. Not-Bane

Here's how you can fix Nolan's not-Bane.
*MY TDKR FANFIC VERSION*
Since the core of Bane's character has always been about his self sufficient-machismo, make his origin STICK to what he did in the comics and even to what the character STATES early on in the film- he escapes his prison on his own merits. Take out the Talia-child escape twist and replace it with Bane deciding to watch over Ra's wife and Talia when they arrive at the pit- Bane was torn from his mother as a child to serve his father's sentence in the prison, much like Talia is here- he can sympathize with this, as well as want to keep them safe. Also, do away with that Predator-thong and give Bane his classic comics mask. No need for the BDSM Darth Vader. And if you need to stick with Nolan's mundane ultra-realistic schtick, the need for Venom isn't crucial. He's been without it for a long time in the comics. Make him a mammoth beast of a man- good genetics, why not- it didn't stop Rob Zombie with his ridiculous Juggernaut-sized (talking) Michael Myers.  Talia and her mother are ganged-up on by the men. Bane sees this and stops the prisoners, killing injuring or even killing them with his bare hands until they desist. He fails to save the mother, but cradles an injured Talia. He looks up at the top of the pit, and with a rush of emotion from a want to save Talia, ties her to his back in a Yoda bundle, and manages to escape the prison himself- then later is approached or found by Ra's or League minions, and is allowed to join the League. THIS WOULD SERVE AS A MIRROR FOR WHEN BRUCE WAYNE DOES IT LATER, since oh, I don't know- Bane's played through the film to be Batman's complete utilitarian uncompromising brutal dark half. The way the film is, with Talia being the child, throws the film off completely and ruins the ending, making it feel like a twist for the hell of it in a typical Nolan "I'm so fucking clever" stunt.

Saturday, March 22, 2014

Up From The Depths (1979)

Roger Corman's New World Pictures filmed a whole slew of low budget flicks in the Philippines throughout the 60s and 70s, and if you want a whole wealth on information on that I recommend the documentary Machete Maidens Unleashed.

What we're looking at today is one of the bajillion Jaws clones that flooded the market after the success of that damn shark...this one sits squarely in the middle. Not good or particularly bad, it simply exists (the best ones in the post-Jaws killer fish market are Orca, and ironically, Jaws 2 and 3). Piranha (1978) was Corman's first production a year before at the killer fish genre and was a stellar effort from director Joe Dante. I can't say the same for this film, with pedestrian direction from Charles B. Griffith (better known for his screenplays on cult classics Death Race 2000 and Little Shop of Horrors).

Remade in 2010 as Dinoshark, again produced by Corman.

Planet of the Vampires (1965)

I couldn't just review It! The Terror From Beyond Space and NOT review Planet of the Vampires as well- both make for a perfect double feature before revisiting Ridley Scott's Alien (which I'm not doing next but am to inevitably review down the line).

It! The Terror From Beyond Space (1958)

Everyone knows of Ridley Scott's Alien (1978), one of the most popular and successful science fiction and horror films of all time, spawning a film franchise, novels, comics, video games, toys, etc.
Well, it all started here, and about 60% of Alien has IT! to thank. The other 40% goes to Mario Bava's Planet of the Vampires.

The Monster and the Girl (1941)

This obscure little Paramount feature has luckily seen the light of day once again after being picked up by Universal for their 90s Monsters Classics Collection VHS series and is attainable yet again on Amazon's DVD-R ordering service.

This one is an odd-ball. I'm going to go into it in separate parts, because what we have here is a genre-combining film of the most intriguing kind. There's yet to be another film like it, really.

Scream and Scream Again (1970)

As I begin this review I am simultaneously reading the novel on which it is based (albeit a few changes), Peter Saxon's The Disorientated Man (my spine-cracking 40+ year old copy is a movie tie-in edition retitled to match the film's).

The Burning (1981)


Often considered a rip-off of Friday the 13th in the ranks of the slashers that flooded the market in the wake of it and Halloween, this is simply not the case here as The Burning turns out to be quite superior and far more brutal than Jason and his mother ever hoped to be during the 80s.